FTMT's Favourite Five Top Tenets

Monday, March 02, 2026

Magpie




Oh, the magpie brings us tidings
Of news both fair and foul
She's more cunning than the raven
More wise than any owl
For she brings us news of the harvest
Of the barley, wheat, and corn
And she knows when we'll go to our graves
And how we shall be born

Chorus:
One's for sorrow, two's for joy
Three's for a girl and four's for a boy
Five's for silver, six for gold
Seven's for a secret never told
Devil, devil, I defy thee
Devil, devil, I defy thee
Devil, devil, I defy thee

She brings us joy when from the right
Grief when from the left
Of all the news that's in the air
We know to trust her best
For she sees us at our labour
And she mocks us at our work
And she steals the eggs from out of the nest
And she can mob the hawk

Chorus:

The priest, he says we're wicked
For to worship the devil's bird
Ah, but we respect the old ways
And we disregard his word
For we know they rest uneasy
As we slumber in the night
And we'll always leave out a little bit of meat
For the bird that's black and white

One's for sorrow, two's for joy
Three's for a girl and four's for a boy
Five's for silver, six for gold
Seven's for a secret never told



Written by: Davey Dodds

Album: Mount the Air

Sunday, March 01, 2026

Easter is Weeks Away


Easter is weeks away but Christmas is my nightmare.

I have long desired to testify against the holy weight of things,
to lay my worked on hands upon the altar
and whisper that it is lighter than it looks.
But I have testified to nothing.
The evidence dissolves in my mouth.
Proof abandons me in dim corridors
like a disgraced envoy,
like monkeys in a back room
tapping faithfully at their bright little machines.

The feasts arrive in their robes of weather.
They bow and withdraw.
No one keeps vigil
except the shopkeeper polishing his till
and the devout who kneel before a calendar
printed in red.

But the hot cross buns,
ah, they are another gospel.
They appear beside the Easter eggs
like rival messiahs sharing a shelf,
and I make no complaint.
I am not a difficult believer.

I have entered the order of the bun.
Two a day.
I have been faithful for one entire day
and already I feel the discipline
settling on my shoulders
like a modest shroud.
There are no revelations yet,
no troubling visions.

Sometimes a face emerges
from the flour and the glaze,
a human arrangement of sorrow and heat.
On the upper bun
there is a grimace, unmistakable,
angry perhaps,
or merely puzzled
by what has become of His dominion.
The cross rests there
like a question He did not mean to ask.

A comedian once murmured
that God is out of His depth now,
and I think of Him
wading into the darkened bakery
after hours,
robes damp with doubt,
searching the cooling racks
for an explanation.

And somewhere in a mythical Yorkshire village
two rival bakeries sharpen their knives of pride.
The ovens glow like minor suns.
They will call the story Top Bun,
and it will be spoken of as a comedy,
though everyone will understand
it is about hunger,
and the small, sweet wars
we wage
in the name of bread.

Anonymous.

Friday, February 27, 2026

Nixon's The One!



I know the actual post is posted below but I liked the way this graphic came how and I was eager to use it. So I did. Click it and you can read it again, possibly in a clearer layout with a better font etc. etc.

Tuesday, February 24, 2026

Economics

I live as though a midnight nurse might appear anytime and ask for my symptoms. Of course they vary hour by hour. Dawn cracks open like a soft-boiled egg and pretends everything’s fine. I no longer step in puddles. I detour. I strategize. A relaxed stroll in cheap shoes can apparently lead to pleurisy or some Victorian inconvenience. First you get the sweats. After that you’re on your own.

The Knitpic cafĂ© doesn’t make money. It just washes it's face when a white tour bus coughs up some retirees. Lochs, Castles and Bridges road trips. Then it shuts on weekends, because logic is optional. The toilets are closed too. They will be fine. You can probably guess my financial future.

I have a feeling of not knowing. It stays with me. I stand outside of things and watch them move. I do not always understand how they move or why.

I think about the men and women who design birthday cards. The ones who draw flowers and bright balloons and write small jokes in some careful script. They open Esty shops. I think about the people who shape up plates and cups, or print patterns on tablecloths no one will really remember a year from now because they’re not Ikea. They must earn their keep somehow. Most of it is made far away, in China, where the provinces are all different from one another and the work is hard and constant. So I imagine. I’ve yet to visit. There is talk of energy there. Of a work ethic that does not stall or complain. Brutal or just kind in a knowing, human way?

Here it feels slower. As if a man must be nudged out of bed. As if he must be promised money before he will bend to lift. And even then he gives no more than he must. But why should he give more, when the men above him take more than their share? When managers talk of discipline, tight lines and teams but reward themselves first. Who has more “rights”? Shareholders; they’ll let you drink the poisoned water for a profit.

Finance is a dark room to me. Investment and industry are words spoken with confidence by men in good suits that fit their bad mood. We are told the markets will correct themselves. That traders will be fair. That prices will find their proper level. It is like handing the keys for the till to a man who has already shown you his dirty money stained hands. He still calls on you to trust his speculations. I smell phoenix schemes.

There is a faint ringing in my ear. It comes and goes. It sounds like a signal carried on under the noise of the day. As if something unseen adjusts the dials. Turn down what is good. Turn up what is bad. You will have what we decide. They say it plainly. We will have what we can take. Easy money. Avert your eyes and don’t trust your senses.

The ringing stays.

Toothpaste costs seven Pounds a tube. Oral-B. Instant coffee costs seven Pounds a jar. Nescafe. A pint of beer costs seven Pounds in a clean city bar with polished taps and a quiet floor. Seven British Pounds - might be Bucks or Euros where you are. The numbers increase and repeat themselves like a joke told too often. Don’t believe a man who laughts loudly at his own joke. He’s not really laughing. Neither are you.

People shake their heads. They are angry. They are tired. But they get on with it.

The ringing goes on.

Now I blame Richard Nixon. I found the root. A lot of things grew up from that. Nests of snakes. Still putting their eggs out and about. There, that’s your economics.

Monday, February 23, 2026

Great Grids of Substack



Simply click your mousy wee thing anywhere upon this collage of wonderfulness and you'll be transported to the www. world of my substantial Substack offerings. It's that simple.

Friday, February 20, 2026

True Fiction



He told himself it was only a story.

Not one of the children. Not a favourite pet. Not a prized object or a tool. It was just missing.

A simple, small and architecturally sweet set of ideas that had been scaffolding itself up into life. Quietly working up behind his eyes for days. He had felt it’s beams slot into place while he washed dishes, when he heard his partner’s voice, while he waited at traffic lights, as he lay awake at night listening to the house breathe and the cats pad across the floor. It had weight. It had weather systems. It had a particular shade of day light. Mostly monotone but the colour splashes would come. There was a feeling. He could feel the feeling. He thought it might be a good piece of work. There was potential.

And then one morning he woke up and it was gone.

Not faded or pale, greyed out, but gone. As if someone had come along during the night and with careful, surgical hands, had lifted it cleanly out of him. The blue sanitised gloves had carried it away. Like a specimen. Out of sight, somewhere else.

He lay still, eyes open, scanning his mind the way you pat your pockets for a misplaced wallet. Characters? Nothing. Setting? Blank. A single line of dialogue? Not even a syllable remained. No tones or filler. Inside his head was a white expanse, naked paper, featureless and almost luminous. He had the unsettling sense that something had been removed by some precise pickpocket.

“This isn’t writer’s block,” he said quietly to the ceiling. Writer’s block suggested obstruction, a clot forming in the artery of imagination. You feel like you need to punch a hole in it. Free the pressure. This felt more like embezzlement. The funds had been siphoned away for a sports car or an exotic holiday. The account showed zero balance. It was an internal crime scene. Black and yellow tape sealed off further investigation.

Where does a lost story go?

He tried to reason it out while making a coffee. Perhaps it hadn’t been much of a story after all and had died quietly of plot starvation. Thin and threadbare as an old cotton shirt. Chewed by rodents or faded by the sun’s rays. Perhaps it had been too ambitious, too sprawling for the area available in his mind and it had slipped through it’s fences, bolting into the wild territories where ragged, unedited stories roamed feral and unfinished, over the hills and further away into some subconscious hidden valley never to be seen again. Or maybe it had been a hungry, weedy thing, embarrassed by its own smallness and lack of development, and had gone somewhere dark and private to wither in peace, for the greater good of everyone.

He closed his eyes and searched for clues or suggestions. Story style footprints in the mind’s muddy paths. A fragment of landscape. The contour of a face. Shapes in shadows. He found nothing. Only that white interior sheet, unmarked and waiting. He wanted to throw a can of red paint at it.

It was true, the waiting angered him.

He was angry that he’d not kept notes.

An own goal.

No reliable back up. No laptop memory storing the nuggets.

He spent the day interrogating himself. What had it been about? There had been a journey, surely. Or was that just because most stories have journeys? He pictured a coastline. That felt plausible. But when he tried to approach it, the sea evaporated like a mirage. Were there details? Hanging a jacket on a hook but the hook’s not really there and the jacket falls at your feet, crumpled. Yesterday was now an imagined thing that was not explainable.

He began to suspect that the story had not simply vanished, it had hidden.

“If you’re in there,” he muttered, tapping his forehead, “you might as well come out.”

Silence. The mind is good at silence. When it wants to be.

Nobody had ever said that before.

The day was finally spent. All knots and dead ends. All tangles of nothingness.

The log burner flames had risen and roared earlier in the evening. A burning fire god, it stood in the centre of the room. Once alight it seemed to have an awareness about it, as if it knew all the answers but revealed none of them. So the answers burned. He’d stared into those wise flames but could see no clearer. No clues or direction. Now they were dying back. Dead wood burned to ash. Light and energy gave way to a dark, inconsistent slow smoulder. Sleep would be welcome.

Later that night he dreamed.

He stood in a vast library with no shelves. Books drifted in the air like idle birds, covers fluttering open and closed. Some were thick and leather bound, paperbacks were more aerodynamic and hovered easily; others were stapled pamphlets and notebooks, embarrassed by their own brevity. They circled him warily.

“Mine,” he said, though he wasn’t sure how he knew. “One of you must be mine. Come back.”

A few books snapped shut defensively. One darted upward toward a ceiling he couldn’t see. Another hovered near his shoulder, then veered away when he reached for it.

At the far end of the room, if it was a room, he saw something smaller than the rest. Not quite a book. More like a stack of loose pages, wind tossed, edges uneven. A4. It did not flee. It did not approach. It simply hung there, as if undecided about gravity.

He walked toward it, and the other books parted slightly, not in deference but with the good manners of helpful, mild curiosity.

When he was close enough, he saw that the pages were blank.

A pulse of disappointment ran through him. “Empty,” he said.

The pages rustled. Not blank, he realised, faint impressions dented their surface, as if words had been pressed in hard and then erased. The grooves remained. He reached out and ran a finger lightly across the top sheet. The indentations formed no legible sentence, but they were not random. They curved and dipped with intention.

“You left,” he accused it.

Or perhaps it had never fully arrived.

The loose stack shifted, and for a moment he had the strange impression that it was studying him. Weighing him up.

“You weren’t ready,” he heard, not as sound, but as a pressure behind his eyes. Like hearing a long dead parent calling out your name through a fog.

“For what?”

No answer. Just that hovering patience.

He woke with his hand outstretched toward the bedside table, fingers brushing an empty notepad.

“Flying books, talking pages; Now Harry Potter and Mr Morris Lessmore’s tales have invaded my head.”

Morning light slid between the curtains. The white space inside his head was still there, but it no longer felt sterile. It felt noticed and expectant. Like ground after a fire, charred and darkened, but also cleared.

He sat up and tried again to remember the lost architecture. Nothing returned. No stupid coastlines, no travelling, no coming together of a plot. Only the faint sensation of grooves where something had once pressed hard.

He picked up a pen.

Instead of chasing what had fled, he began tracing the indentations he could not see. A man wakes to find his story missing. He suspects theft. He imagines it starving, or running wild, or choosing solitude, perhaps kidnapped. He dreams of a library without shelves.

The sentences came slowly at first, as if feeling for purchase. He did not know where they were going. He did not know whether this was the lost story wearing a convenient disguise, or merely the outline left behind by its departure. Like an unmade bed once a guest has left the house.

Halfway down the page, he paused.

There was a curious sensation, not of recovery, but of companionship. As though something just out of sight had settled nearby, watching without interference. Not hiding now. Not quite returning either. Did it have the eyes and patience of a cat?

He understood then, dimly, that perhaps stories do not belong to writers in the way phones or keys do. Perhaps they pass through, testing the shape of a mind, leaving when cramped, returning when there is space. Perhaps what he had lost was not the story itself but his certainty about it.

He wrote until the page was full.

When he looked up, the white expanse inside him had softened. It was no longer blank paper. It was foggy still but dense, and alive with the possibility of forms moving within it.

The original story did not come back that day. It did not snap neatly into place with a triumphant click like the correct Lego brick. No, but something else had begun, something that might, in time, grow branches and blossom and move in the breeze, on and around a particular shade of afternoon light.

And somewhere, whether in the wilder margins of imagination or in a dark, unreachable corner of his own consciousness, the missing story remained unaccounted for.

Not dead. Not dead at all.

Just uncommitted.

Sunday, February 15, 2026

Pink's Floyds



This is a little piece of whimsy in which I skate around some ideas I've formed about the music of a band that once was, but kind of still is; that band being Pink Floyd. Click the pic above to go to Substack where I've buried it in self doubt and inner conflict.

By the way the piece below is a different piece also about Pink Floyd.

Wish You Were ...



Click image to read on Substack.

Thursday, February 12, 2026

impossible songs: I Might Redo This

impossible songs: I Might Redo This: Everyone struggles with Captain Beefheart because they expect music to behave. They also expect other people to behave at funerals, to back ...


Friday, February 06, 2026

From Here to There



Having considered a number of different things this is really all I have to say on the matter right now.